July 7, 2019 - Flight West - Day Twelve

After a delicious breakfast at a place near Bro's place -- they have some good places to eat in Carlsbad, that is clear -- the Bro and I headed into Balboa Park, downtown San Diego.  The first stop, the San Diego Air and Space Museum, of course.  I had visited before but so long ago it was like seeing it for the first time.   The Bro looks pretty excited about it as well.
   
Upon entering, the first thing you see is the Spirit of St. Louis.   And why not?  The Spirit was built here in San Diego by the Ryan Airplane Company.
 
The aircraft owned by the San Diego Air & Space Museum is a flying replica of the original Spirit of St. Louis. The Museum lost its first replica, the Spirit II, in a Museum fire back in 1978. 34 craftsmen, including three of the builders of the original Spirit, set about building another. In eight months, the artisans spent 4,800 hours constructing the Spirit III, and on April 28, 1979 the plane flew over San Diego, followed by display in the Museum's Rotunda.
   
Sitting down on a bench with two aviation giants:  Wilbur and Orville Wright.
   
John Joseph Montgomery, having studied birds upon which he based his aerodynamic principles and designs, alledgedly made the first human-carrying glider flight in America. On August 28, 1883, some believe he took flight in his monoplane glider and flew 600 feet at a height of 15 feet on Wheeler Hill in Otay Mesa, near San Diego. Although photographs or other evidence did not document this feat, eyewitnesses swore to it.  This glider did not have a rudder and so did not have control in the third dimension:  yaw.
 
A replica of Montgomery's 1911 Evergreen glider hangs overhead in the lobby.  On October 31, 1911, Montgomery stalled and crashed in this glider and was killed.  Of course, by 1911, flying was well established.
 
Frankly, I don't buy it.  If Montgomery really flew in 1883, why did he stop there?  Why would he not obtain evidence of his flight, or subsequent flights?  Why are there no photographs or documentation?  Furthermore, a  plane can't turn without control in both the roll and yaw axis, and if a plane can't turn, then it can't really fly.
   

In the main lobby, we started talking to a docent, and he invited us downstairs into the museum's workshop.  I would come to realize that the San Diego Air & Space Museum not only restores aircraft but builds them.  If they don't have what they want, they build it.  I've never seen a museum restore and build so much of their own collection (other than the National Air & Space Museum).

Here the docent is showing us their current project:  the famous Hughes H-1 Racer.  In 1935, Howard Hughes broke the world landplane speed record with this airplane.  The original one of a kind aircraft now resides in the National Air & Space Museum on the Capital Mall.

Back in 2003, Jim Wright spent over 7,000 hours building an exact reproduction and flew it to AirVenture.  I saw it there:  Link.  It was the star of AirVenture that year.  Wright's  replica was so close to the original that the FAA granted it serial number 2 of the model. His achievement in recreating the aircraft was heralded in virtually every well-known aviation magazine of the time.  Tragically, the H-1 Racer  crashed due to a prop malfunction in Yellowstone National Park on the way home, killing Wright and destroying the plane.  Link

Here the docent is telling us about the replica construction.  This is a look at the wings, which are all wood.

   
The fuselage, on the other hand, is aluminum.
   
The empennage is pretty much done.  The tail feathers are fabric-covered as you can see.
   
I was interested in the fuselage which very similar to an RV.  But the skin is much thicker.   The H-1 was notable for being the first plane with flush rivets.  Notice how the rivet holes are countersunk.  On my RV, the skins are dimpled vice countersunk, since the skins are so thin.  Notice also the big rivets at 5/16 inches as opposed to the little 3/32 rivets on my RV skins.
   

Looking inside the fuse.  The bulkhead flanges are substantial with two rows of rivets.

The H-1 wings had wood spars and ribs.  The docent said the person who had been working on them had moved away.  I told him I wished I lived close by; I'd finish them up for him.  Much of the building and restoration work is done by volunteers.

   
The basement workshop was spacious and well equipped.  You could build anything down here.
   
A replica of the Wright Flyer 1903 engine, built from scratch down here in the museum workshop.  Very impressive.  But then you recall that the Wright Brother's mechanic, Charlie Taylor, built the original by himself with rudimentary tools in the bicycle shop.  Beyond impressive.
   
I looked enviously at this LeRhone rotary engine.
   

A titanium tailfeather from an SR-71 Blackbird with one of the engines to the left.

I really enjoyed touring the museum workshop.  It was incredibly cool of the docent to take us down there.

   
The unique GeeBee R-1.   Gee Bee stands for Granville Brothers. The 1932 R-1 and its sister plane, the R-2, were the successors of the previous year's Thompson Trophy-winning Model Z (which I saw  in the Seattle Museum of Flight).  In 1932, Jimmy Doolittle flew the R-1 to a new official world speed record of 296 mph and won that year's Thompson Trophy race in Cleveland.
 
The 25 foot wingspan R-1 was powered by an 800 hp Pratt & Whitney R1340 Wasp radial engine with a Smith controllable pitch propeller.   Empty weight was 1,840 lbs, racing weight with 50 gallons of fuel was 2,415 lbs.   That is 3 pounds per horsepower.  My RV-7 carries 8.9 pounds per horsepower.  That's a major reason why the H-1 goes 296 mph and my RV goes 200 or so (flat out).
 
This non-flying replica of the R-1 was built by Museum volunteers using original plans from the New England Air Museum in Connecticut, which had built its own reproduction in 1990 with help from Pete Miller, the airplane’s co-designer. Link
 
A flying replica of the R-2 was built by Steve Wolf and Delmar Benjamin and first flew in 1991.  Delmar Benjamin flew an aerobatic routine in this aircraft at numerous airshows until he retired the aircraft in 2002.  I saw him fly the R-2 at one of my first AirVentures.  The R-2 replica was sold to Kermit Weeks in 2004.
 
   
An original Consolidated PT-1 Trusty.  The PT-1 was the first major production aircraft to come out of Major Reuben H. Fleet’s Consolidated Aircraft Corporation of Buffalo, New York.  In 1924, the Army Air Corps selected the PT-1, a design based on modifications of the Dayton-Wright TW-3, as a primary trainer to replace the aging Curtiss Jenny fleet.  The PT-1 had wooden wings, with a steel tube framed fuselage, tail, struts and landing gear, with a 180 hp Wright E V-8 engine. A total of 230 were produced for the Army.  The PT-1 quickly gained the nickname Trusty because of the ease with which it could be flown.  The Museum’s Trusty served the Army Air Corps from 1928 to 1932, attached to fields around the country.  The Museum’s PT-1 is one of only two complete examples known to exist.  The other is at the Air Force Museum in Dayton, Ohio.
   

My second Triplane sighting on this trip!  This Triplane has a rare 120 hp version of the 110 hp French Le Rhône Rotary engine. The triplane is finished in the markings of one of the Red Baron’s aircraft, Dr. I 477/18, and is certified to fly.

   

At bottom is a Fokker E-III Eindecker.  The Museum’s first E-III was lost in the 1978 fire.  Volunteer craftsmen started the task of replacing the Eindecker in October 1992, with the objective of building a flyable reproduction E-III that was as close to the original plane as possible. After five years of dedicated work by many Museum volunteers led by Bob Greenaway, the project was completed and presented to the public on August 26, 1997.

Hanging on the left is a French Nieuport 11 which was flown by some of France’s greatest aces: Guynemer, de Rose and Nungesser; and became famous as one of the aircraft that ended the ‘Fokker Scourge’ in 1916.  The Museum’s Nieuport 11 is a reproduction built by Walter Addems and Joseph Pfiefer in Porterville, California in 1962. It was owned by Walter Addems for 20 years, during which time he flew his Nieuport for more than 600 hours before generously donating the plane to the Museum in November 1982.   The aircraft is painted with the personal marking of a stylized RL for Raoul Lufbery, who was the first American ace in World War I while flying with the Lafayette Escadrille.

Hanging in back center, the French-built Nieuport 28C-1 was never used by the French because they preferred the SPAD; however, they sold the aircraft to the Americans who had no fighter airplanes of their own. In March 1918, the American Expeditionary Force (AEF) purchased 297 of these French-built fighters  Captain Eddie Rickenbacker, perhaps the most famous of America’s airmen, scored 12 of his 26 victories in his Nieuport N28C-1.  The Museum’s aircraft is in the markings of Ken Marr, commanding officer of the famous 94th “Hat-in-the-Ring” Squadron. The aircraft is an original restoration by George Hunt. Its early history is unknown, but it is known that the plane was one of three owned by stunt pilots Paul Mantz and Frank Tallman, which were used in motion picture work during the 1930s, including the classic WWI flying film “The Dawn Patrol.” It was purchased by the Museum in 1979.

On the upper right is an Albatros D Va.  The Albatros fighter series consisting of D. I through D. Va were the primary German fighter aircraft of World War I.

The Museum’s Albatros -- on the right -- was built by Jim and Zona Appleby of Antique Aero, Ltd. in Riverside, California.  The aircraft is in the markings of Joachim von Hippel of Jasta 5, the third-highest scoring German Jasta (squadron). It illustrates well the flamboyant and famous german “Flying Circus” coloring system. The green, red-outlined tail, green wheel covers, and red propeller spinner were the markings used on all aircraft in the squadron. These colors were well-known to the British, who called them “The Green Tails.” The gray fuselage with the red lightning bolt was von Hippel’s personal marking which distinguished his fighter from other aircraft. He named his aircraft “Blitz” (Lightning). There are only two original Albatros in existence, one in the Australian War Museum, the other in the Smithsonian. The Museum’s aircraft is powered by a rare 1917 212 hp Hall-Scott L-6 engine, which was based on the original 160-180 hp Mercedes.

   
Moving to something a little newer, we encounter the F/A-18 Hornet which Naval Aviators began flying in the early 1980s.  It has been the aerial demonstration aircraft for the U.S. Navy’s Flight Demonstration Squadron, the Blue Angels since 1986,  replacing the A-4 Skyhawk.
   
The Museum’s F/A-18A Hornet -- received in 2009 -- was indeed flown by the Blue Angels.
   
A model of the first U.S. carrier -- USS Langley -- next to a model of a modern Nimitz-class supercarrier.
   
The Museum’s Zero, built in 1945, was transported from the Yokohama Naval Air Station in Japan at the end of hostilities and stored at the U.S. Naval Air Station at Willow Grove, Pennsylvania. In 1962, it was acquired by the National Air and Space Museum, and then in turn, sent to the Bradley Air Museum in Connecticut for restoration, but storm damage to the museum prevented this. The aircraft was then loaned to the San Diego Aerospace Museum, where it arrived dismantled and in boxes in March 1981. San Diego volunteer craftsmen spent over 12,000 hours in restoring the plane, which has been on display in the WWII gallery since April 1984. It is on loan from the National Air and Space Museum in Washington, D.C.
   

A Spitfire Mark Sixteen.   The Mk XVI was the same as the Mk IX in nearly all respects except for the engine, a Merlin 266. The Merlin 266 was the Merlin 66 built under licence in the USA by the Packard Motor Company.   In the early months of 1942, with the clear superiority of the Focke-Wulf Fw 190 over the Spitfire VB, there was much pressure to get Spitfires into production using the new two-stage supercharged Merlin 61 engine.  The Mk IX still proved to be an effective counter to the Focke-Wulf Fw 190.

The acquisition of the Museum’s Spitfire in April 1989, was due principally to the efforts of the Eagle Squadrons Association – those American pilots who flew for England before America entered WWII – and it is displayed in their honor.

   

Overhead and inverted, the Museum’s Bf 109G-14 is a full-scale wood model constructed by George N. Lucas of Rochester, New York, completed in August 1978.  The San Diego Air & Space Museum acquired it in 1983.  What I liked about this 109 was was that it carries the markings of the aircraft flown by Luftwaffe ace Erich Hartmann.  In particular the black tulip on the engine cowling.  Hartmann is the most successful fighter ace in the history of aerial warfare with an incredible 352 aerial victories.  Most of these were on the Eastern Front against the Soviets, but Hartmann did fight against P-51 Mustangs over Romania and shot some down.  After the war, he spent ten years in various Soviet prison camps and gulags, then served in the West German Air Force.  He died in 1993 at age 71.

   

In the center Pavilion of Flight, an F-4 Phantom II is in eternal pursuit of a Mig-17.

This Phantom has a significant historical background. It was assigned to Fighter Squadron 96 “Fighting Falcons” aboard the San Diego based USS Constellation, where it was used for combat sorties during the Vietnam War. In early 1972, pilot Lt. Randy “Duke” Cunningham and radar intercept officer Willie Driscoll became the Navy’s first aces of the Vietnam War by scoring two Mig kills in this aircraft, and three more Mig kills in a similar F-4 from the Fighting Falcons squadron.

I saw Cunningham speak when I was a Midshipman at the Naval Academy.  I remember someone asked him what was the best fighter plane the world.  He said "whatever plane I am flying."  The Midshipmen roared.

 

   
The Mig-17 being chased by Duke Cunningham and Willie Driscoll is believed to have been built in Poland. It first served in the East German Air Force, was then transferred to the Egyptian Air Force, where it was modified for a ground attack role. It was retired by the Egyptians in the late 1970s or early 1980s and purchased by the Museum in March 1986.
   

The Ford Trimotor, or “Tin Goose,” as it was affectionately nicknamed, had a profound effect on the early advancement of commercial aviation.  In the 1920s commercial aviation in the United States was in its infancy, and still considered quite dangerous. Yet the Ford Trimotor proved that flying was a fast, and most importantly, safe means of long distance transportation. Ford used his name, and an extensive publicity campaign focused on the safety of the Trimotor, to gain the trust of the public. In service the aircraft proved to be extremely reliable and easy to maintain. Moreover, it compiled one the best safety records in the industry.

The Museum’s Ford Trimotor has a very extensive provenance that illustrates well the great versatility and durability of the aircraft. It was the eleventh 5-AT to come out of Ford’s Dearborn Michigan plant, and was first purchased by Pan American Airlines in December of 1928 for their popular Miami to Cuba route. Later it flew air tours for Scenic Airlines over the Grand Canyon and the Las Vegas Strip until being blown from its tie-downs by a strong wind storm, ending up in a drainage ditch twisted and mangled, and seemingly damaged beyond repair. By that time the Trimotor had logged 24,043 hours of flight time.

The Trimotor 5-AT-11 was then donated by Scenic Airlines to the San Diego Air & Space Museum in August of 1983. It was stored at North Island Naval Air Station until late 1984, when it was moved to the basement of the Ford Building for a long and arduous restoration process. Under the leadership of Tim Cunningham, the restoration volunteers spent nearly 15 years, and tens of thousands of hours, painstakingly remanufacturing and crafting every detail of the plane to assure a historically accurate restoration, one that would represent the original Trimotor of 1928, when it was owned by Pan American Airlines.

I flew on one of these at AirVenture and loved it.

   

The Ryan ST family of aircraft (including the ST, STA, STB, STM, STK and STW) were some of the most popular and successful civilian sport airplanes in history. First introduced by the San Diego company in 1934, the original ST (sport trainer) design was a two seat, open cockpit monocoque fuselage aircraft fitted with a 95-hp Menasco B4 inverted inline engine. Only five were built before Ryan introduced its peppier successor, the STA. Fitted with either a 125-hp Menasco C4 or 134-hp Menasco D4 engine, the STA helped the ST line reach its true potential.

This Ryan STA was donated to the Museum by none other than T. Claude Ryan himself, the founder of Ryan Aeronautical Company. Mr. Ryan purchased the aircraft from Aaron Berkowitz of Arizona in April 1979, specifically for the Museum, to help rebuild its collection after the devastating fire in 1978. Ryan’s estate officially donated the aircraft to the Museum in December 1982 after his death.

   
It was a gorgeous Sunday in San Diego and there were lots of people out enjoying the day in Balboa Park.  Even a Wookie was getting in on the action.
   
Listening to concert in Spreckels Organ Pavilion, the world's largest outdoor pipe organ, constructed for the 1915 Panama-California Exposition.
   
Walking down the El Prado Boulevard.
   
A colorful view of the Botanical Building.
   
Most of the impressive buildings were built for the the 1915-1916 Panama-California Exposition.  This one houses the San Diego Museum of Art.
   
Not sure what Museum this is but it's a nice looking building.
   
There is even a replica of Shakespeare's famous Globe threater that shows Shakespeare & classic musicals as well as first-run new plays.
   
With so many neat museums and places to see, we chose to visit the Museum of Man.  What a mistake!  Despite the fancy building, I must say, the Museum of Man is on the short list of worst museums I have ever been to.
   

This was the ony thing inside I found interesting.  But mostly everything else politically correct propaganda.  Oh, and a special exhibit on cannibalism.  THAT was uplifting.  [sarcasm]

There were so many other museums in Balboa Park other than this one that are probably worth seeing:  Automotive Museum, Botanical Garden, Natural History, Museum of Art, San Diego History, etc.

   
Another ornate building.
   
Some very skilled outdoor artists.
   
A big B-24 Liberator memorial near the Veterans Museum.
   
 
   
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